Second Time Around: Thelonious Monk - "Criss-Cross"
/Thelonious Monk's second album for Columbia is full of joyous playing and an ever-growing connection between the jazz master and his new quartet.
Read MoreThelonious Monk's second album for Columbia is full of joyous playing and an ever-growing connection between the jazz master and his new quartet.
Read MoreBy 1976 Dexter Gordon had all but become a forgotten figure in the mainstream jazz world. His style of jazz had fallen out of fashion, pushed to the fringe as the more commercial leanings of fusion and smooth jazz became the flavors of the day. His successful return to the United States - after years in a self-imposed exile -was wonderfully documented on the double-LP Homecoming an album made even better with the presence of Woody Shaw blowing his tail off on the trumpet.
Read MoreWhile Fats Navarro didn't leave us a large body of work to appreciate, his true lasting legacy is the influence he had on the trumpeters that would come after him in the '50s and '60s. It would not be incorrect to say that as far as the jazz trumpet style and sound we know and love, all roads lead back to Fats Navarro. The double-LP Prime Source focuses on what is generally considered his finest period - the years 1947 to 1949 - when he worked with Tadd Dameron and Bud Powell, as well as in a group he co-led with his close friend and mentor Howard McGhee.
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